Blood Milk Jewels
Pythia Ring. Purple Labradorite. Size 6.25
$1,000.00
Blood Milk Jewels
Pythia Ring. Purple Labradorite. Size 6.25
$1,000.00
Due to the special nature of these jewels, they are only available for purchase one per person.
IMPORTANT: This listing is for a One of a Kind jewel that cannot be replaced. We recommend Express Shipping with signature required upon delivery to make sure it arrives safely into your hands.
This ring is Ready To Ship and will leave the studio in 3 - 5 business days.
Please note : This ring is a size 6.25 Please note that because this is a one of a kind ring and the gemstone is irreplaceable, we are unable to resize it.
Inspired by variations of the Pythia series, this ring features a setting that echoes the style of a baroque mirror frame. Created from a collage of cast bat bones, the setting cradles a Purple Labradorite.
Pythia was the name given to the high priestess at the Oracle of Delphi; always a woman, who would be possessed by the God Apollo to directly receive his enigmatic prophecies, as she inhabited a dream-like trance. When she was consulted, she was thought to have sat upon the three legged tripod of Apollo deep within the subterranean levels of the site of Delphi, which was considered to be the center or ‘navel’ of the world and the site where Apollo slayed Python, son of Gaia, a serpentine/dragon-like monster. It is from the rotting corpse of Python beneath the temple, that Pythia gets her name. Much like modern divinatory requests, it seems the Pythia was consulted for ubiquitous queries such as ‘whom should I marry?” to more potentially history changing questions from rulers about to go to war. In every instance, the Pythia’s divinations were considered to be coming directly from Apollo and therefore unimpeachable.
Bats:
Bats and their cast wing and leg bones have long been a component I’ve used in my visual library as a way of creating a personal visual language. As nocturnal creatures, I feel a kinship with their natural predilection for the night time hours, but I’m also interested in how they use sonar to ‘see’, how as a metaphor bats as liminal creatures also remind us to look closer with our other senses, a way of ‘seeing the unseen.’ It’s my hope and intention that pairing them with other chthonic imagery and myth further adds to the visual meaning I’m aiming for, creating a collage of personal ideas while also tethering these physical jeweled objects to the spirit of the bat ( and other natural objects in the case of other jewels in my collection ) and to the spirit of the myths I’m invoking.
*Details* :
- 30 mm from top to bottom
- 23mm at its wide
- Sits 15 mm off the finger
- Solid Sterling Silver
- Hand oxidized to achieve our favorite shade of stormy gray and then highlighted to reveal the bright luminous silver beneath
- Set with one 16mm Fine Cut Round Labradorite Gemstone
Purple Labradorite:
Labradorite with a ‘full range’ of colors, including purple, has also been called ‘Spectrolite’ ~ though over the years these more colorful iterations have been given many other names depending on the range of colors captured in the specific cuts we’ve been able to source. Sometimes they are called ‘Sunset Labs’ for the way they appear to hold the melting colors of the setting sun - pinks and lavenders as well as even hints of flaming reds and deep purples, are all married within one stone. Other stones under the name ‘Belladonna’ (which is my personal nickname ) vary from the purples of wet oyster shells to the pale lavender of the petals of belladonna flowers - each stone is unique and carries within it its time underground - where under pressure, its glorious colors bloomed within. Interestingly, it’s light that enables its range of colors to be reveled - turning it in the light, while on the finger or in ones hand - creates a kind of ‘shapeshifting’ effect - the internal fractures and layers within the stone allow for different colors within the stone shift, flash, and to reveal themselves differently.
This jewel is hand cut and therefore may have small signs of the carver's hands along the edges. This has not been fabricated by a machine, it has been made by hand and therefore isn't uniformly perfect. The photographs accurately portray the quality of the stone.
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