* Ready to Ship * The Hollow Ring. Rose Quartz. Size 9.

Regular price $450.00
Sale price $450.00 Regular price
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This ring is Ready to Ship and will leave the studio in 3 - 5 business days. It is a size 9 and can not be resized before leaving our studio. These photos are of the exact ring/stone you will be receiving.

If you purchase this item with any other jewel, please be aware that our jewelry is handmade to order and takes approximately 6-8 weeks to create before shipping, meaning your Ready to Ship jewel will ship with the rest of your order. This cuts down on multiple shipping costs for you, and unnecessary waste for the environment. 

Framed in lichen composed of delicate cast bat bones, an faceted oval onyx represents the hollow of a tree. When going on walks in the woods, or even around the city, I like to think of the hollows of trees as liminal places, caverns of rest or repositories of memory: memory of the tree, of the land, of the animals and other creatures that use them as hides or storage. As a talismanic vessel, this ring represents a hollow you can carry, a place of rest, a hiding place for thoughts, feelings, ideas, or for times when you need to tuck yourself away. 

The smooth surface of the center stone can behave as needed as a ‘worry stone’, in contrast to the highly tactile setting.

Lately, I’ve been obsessed with the painting ‘Dryad’ by Andrew Wyeth after coming across it at a recent visit to the Brandywine museum. A giant tree painted in muted shades of egg tempura fills up the composition ~ a winter tree, leafless. What dominates the eye and drew me to it from across the room like an eerie magnet was a large dark hollow. It felt alive in the way that certain paintings can be to me, & perhaps to you too. As I read the title card, I discovered how Wyeth had originally painted a figure in the hollow and then decided against it, painting over it in dark washes, that when looking closer, I could faintly see. There was something about this ghostly figure & this painting that feels tethered to every hollow feeling I’ve had lately, of every feeling of wanting to be inside this hollow, or the hollow of the oak tree near the lake where I leave roses for my grandmother & watch the bats weave through its branches at dusk, or the hollows of the trees on walks in MN that are truly only small enough for the birds.

This collection is for that feeling, a heavy heart in search of a place to rest amongst the lichen and churning earth, the trees that open up to make room. The “bat lichen” made in honor of the dusk bats near where I lost a loved one and a part of myself I’ll never see again, & where grief has taken root so firmly within me I often feel as if I’m speaking another language, and sometimes unable to speak at all, just quietly dreaming in the hollow.

Bats:

Bats and their cast wing and leg bones have long been a component I’ve used in my visual library as a way of creating a personal visual language. As nocturnal creatures, I feel a kinship with their natural predilection for the night time hours, but I’m also interested in how they use sonar to ‘see’, how as a metaphor bats as liminal creatures also remind us to look closer with our other senses, a way of ‘seeing the unseen.’ It’s my hope and intention that pairing them with other chthonic imagery and myth further adds to the visual meaning I’m aiming for, creating a collage of personal ideas while also tethering these physical jeweled objects to the spirit of the bat ( and other natural objects in the case of other jewels in my collection ) and to the spirit of the myths I’m invoking.


Shipping

All of our jewels are made to order and take 6-8 weeks to complete. If you purchase a ready to ship item with a production piece your order will ship when your jewel is completed. 

If you have any questions or have a specific date for your order, please do not hesitate to reach out to us via info@bloodmilkjewels.com! We are always happy to help!



*Details* :

- 19 mm wide 

- 41 mm from top to bottom 

- 8 mm off of the finger

 - Solid Sterling Silver and hand oxidized to achieve a stormy gray. Slightly polished reveal the luminous silver tones beneath.  

 - This listing is for one Hollow ring set with one  13 x 18mm oval Rose Cut Rose Quartz.

Rose Quartz: 

According to fossil evidence, Rose Quartz, known the world over for its beautiful pink coloring, is at least 35 million years old, with records dating back to 600 B.C.. During that time, it was given amongst lovers, family and friends as love tokens. It was also used in beauty rituals as far back as Ancient Egypt where evidence of it as facial masks has been found in tombs amongst grave goods. Metaphysically, it is best known as the master 'love stone', used in love spells, helpful in matters of self-confidence, anger, disappointment, and seemingly always mentioned in tandem with "healing" - a word so dense with promise it makes me both hopeful and strangely put off. I feel a bit lonely in my discomfort; I've never been one to only seek beauty in its traditional forms and it seems like Rose Quartz is the fairest of them all -the glittering prom queen who about to have a bucket of blood poured on her.

My favorite lore around this stone concerns the Goddesses Isis and Aphrodite / Venus, which are all connected by similar attributes and were conjoined when the Romans annexed Egypt. The Egyptian Goddess Isis, one of the most revered deities over time, is believed to have used Rose Quartz "maintain her eternal youth and divine beauty" and therefore influenced the beauty culture ( see above ) in ancient times. Aphrodite is the Greek iteration of Venus, with whom she is often syncretized - sharing many overlapping traits: such as her beauty, passion and pleasure, love, and fertility. Each Goddess was considered to be a standard of ideal beauty and representative of love, yet also each was associated with the enemy of love - death. Isis, in a gruesome yet romantic gesture, collected the disembodied pieces of her murdered brother/husband Osiris, and resurrected him - becoming impregnated with Horus simultaneously. This myth was revered in Ancient Egypt, fertility rituals around Osiris' resurrection abounded.

For the Greeks, one of the most popular myths centering Aphrodite is also a genesis tale for Rose Quartz in and of itself : Aphrodite fell in love with the beautiful mortal Adonis who was killed by a wild boar ( perhaps a jealous Ares in disguise, or sent by Artemis as punishment ). As he lay dying in the forest, Aphrodite came to his side, herself also bleeding after becoming tangled and wounded in a bramble bush. Their co-mingled blood is thought to have fallen on Quartz, ever after giving Rose Quartz is pink hue. Adonis, like Osiris, was also resurrected in some tellings and his tale was also associated with grieving rituals in connection to the natural cycles of life.

Personally, I've struggled both with writing about Rose Quartz as well as pairing it with my jewelry. It's a stone that has long been deeply connected with the romantic aspects of love, healing, forgiveness, beauty and well-being - but for me, I've shied away or have had discomfort with each of these notions and descriptors. Each of them has also been, for me, tangled up with grief and death - shadow feelings. However, while I think Rose Quartz often lacks its shadow in popular descriptions of it - I think it's powerful for these exact reasons. As much as it is beautiful, it is often turned to as a balm during our worst moments - the ugly and horrific times of heart brokenness; representing our hearts in all their nuance - capable of the beauty of love but also the madness of loss. In this way, it illustrates the tensions between beauty and horror I unconsciously & consciously seek in everything. It is a phoenix, burning down like the Tower into ashes but also comforts us while we rise from the rubble. It is a fierce shield that guards us, but it is also has a soothing gentleness. In this way each Rose Quartz jewel carries a dual aspect of 'psychic armor' both the energies and medicines of the snakes and bats that form the gloomy silver settings of the jewels, and Rose Quartz, a beautiful balm that assists us during our darkness moments, a reminder of the sweet-bitterness of being alive on this timeline.’

These jewels are hand cut and therefore may have very slight differences in size and may have small signs of the carver's hands along the edges. These are not fabricated by a machine, they are made by hand and therefore aren't uniformly perfect. The photographs accurately portray the quality of the stones and the cuts. 

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